Autumn puts on a spectacular show. As the temperatures drop, the leaves begin to change. The color and intensity varies from year to year but it's always beautiful. Ordinarily I don't post this many frames in a single posting but I just couldn't omit any of these.
Fire is an interesting photographic subject. It is dynamic, behaving almost as though alive. It transmits light yet casts a shadow. Staring at it can be mesmerizing. It is hot. A camera can be damaged - melted - if brought too close.
A huge pile of Debris from trees cleared earlier in the year is burning. Though not apparent in the picture, rain is falling and has been, heavily at times, for the past several days. Everything is very wet. This effectively prevents hot embers from spreading flames to nearby vegetation and structures.
The stump of an old cedar tree cut down long ago burns in the fire.
The smoldering wood glows red-hot in this contrast-exaggerated image.
Wood cut from the cleared trees burns in the fireplace, warming my home.
In the hour or so just before dawn, this star trail was taken. The Big Dipper is in the center. Polaris, the North Star, is to the upper left. The exposure time was limited to 8 minutes by the equipment I'm using. This tiny version does not do justice to the image. Click on the image to see a higher resolution rendition.
Toppenish is a small town in Eastern Washington not far off Interstate 82. On its buildings are painted mural depictions of various aspects of the local history. The town's population is made up of roughly equal numbers of Native Americans, Hispanics, and white folks. On the day we visited, there were few people on the streets. Country music blared from PA horn loudspeakers mounted on buldings throughout the commercial "downtown" area. The weather was overcast and rainy. The combination of these factors made for a surrealistic, Twilight Zone like experience.
Indians Winter Encampment Although the winters were long, cold and bleak, the local tribes survived the hardships. The winter lodge was the gathering place for social functions. Hulan Fleming of Bothell, Washington, painted this mural to depict a typical winter encampment. It is located on the north wall of the Kirkwood Building on South Toppenish Ave., the same building where the Mural Society office is located. At the Peak of the Harvest The twelfth mural in the series depicts a potato harvest of bygone days. Sponsored by Toppenish's Bouchey families - potato growers - the mural illustrates the back-breaking work potato harvest was until the development of mechanized harvesting. Fred Oldfield, with a little help from his friends, completed this mural across from Old Timers Plaza downtown in the summer of 1991.
The Crossroads to Market Artist Robert Thomas shows the various methods of moving commodities to market in this collage. Thomas was born and raised in Toppenish and now resides in Kooskia, Idaho. The mural is on the wall of the Pow Wow Emporium adjacent to Old Timers Plaza in downtown Toppenish.
Locals As I strolled about taking pictures of the various murals, these two fellows stopped me and announced that they are full-blooded Nez-Perce who live on the street here and have all their lives. Their demeanor was a curious mixture of deep sadness and a hint of a strange sort of pride. I was struck by the sad thought that these two represent what remains of once great Native American populations.
The Blacksmith Shop Roger Cooke, a well-known artist from Sandy, Oregon, has recreated a composite of Toppenish's early day blacksmith shops - there were four of them at the turn of the century. Blacksmith shops were the backbone of the local economy then, repairing wagon wheels, shoeing horses, and manufacturing various metal products.
Newell's Drive You can find artist Don Crook's paintings in galleries around the country, but nowhere will you find a bigger one than this mural on the Reid Building facing South Toppenish Ave. Crook painted "Newell's Drive" to illustrate a horse round-up led by early Toppenish pioneer Charlie Newell. It took six weeks for Crook to complete the 70-foot scene, assisted by his wife Shirley Crystal and by Gary Kerby.
When Hops Were Picked by Hand This mural by Robert Thomas of Kooskia, Idaho, shows an early hop harvest when the crop was picked by hand. This was usually done by Indians from all over the Northwest, who came to the Toppenish area each year with their families, pets and chickens. They set up small Indian villages of teepees at the hop fields, staying until the harvest was completed. The mural was funded by the hop industry, which also paid for and developed a park called Old Timers Plaza, adjacent to the mural.
Hanging Out and Hanging Up This is one of the two murals on the downtown "Public Westrooms" created as the eighth annual Mural-in-a-Day, June 1, 1996. The building is located across Division Street from Old Timers Plaza in downtown Toppenish. A breezy spring in the early 1900s finds mom hanging the clothes and dad reading a catalog in the "library". Jack Fordyce of Yakima did the original painting.
Halloween Pranks This is the second half of the 1996 Mural-in-a-Day, on the public restrooms in downtown Toppenish, also with a theme relating to outhouses. In the early days when outside plumbing was common, pranksters were on the prowl Halloween night and anybody using the facilities that night did so at their own peril. Jack Fordyce of Yakima is the creator.
The Lou Shattuck Story L. S. (Lou) Shattuck (1892-1978) was one of the original Toppenish Pow Wow Rodeo boosters. He helped organize the rodeo in the beginning. The artist is Don Gray from Flagstaff, Arizona. The mural is located on South Toppenish Avenue.
The following two images hanging on the wall in one of the local stores struck me as interesting. I don't have any supplimentary information about them beyond what is written on the second one.
To all of you leaving your wonderful comments, thank you very much. They are always greatly appreciated.
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Yosemite
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Yosemite National Park is known the world over and really needs no
introduction. Thousands of people fly over the park every day but few see
it or recogni...
בדרך לבריכה מול גבעת ברנר ים פרגים 30 למרץ 2011
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Frequently people land on this site with search queries like "what part of the eye corresponds to the camera shutter". With a camera, the shutter opens for a very precise amount of time and allows light to hit the film or sensor inside the camera. The closest comparison to that in the eye would be the eyelid that can open and close but its purpose is more analogous to that of the lens cap than the shutter. Shutter mechanisms come in a variety of configurations. More detailed information about camera shutters can be found in this article [Wikipedia].
Camera lenses also have a diaphragm iris [Wikipedia] which adjusts to increase or decrease the amount of the available light that can pass through it during any given period of time. This corresponds directly to the iris in the eye [Wikipedia] which serves the same purpose. I suspect many people confuse this with the diaphragm-type shutter mechanism, however both the eye's iris and that of the camera are visible through the lens while the shutter is generally inside the camera and out of sight. In modern cameras, the iris is usually fully open except at the moment when a picture is taken so it can be seen to move right about the same time as the shutter.